- Shoot the footage in a practice setting. Do not attempt to get game footage - it's too difficult to get useful shots. Use your local field, gym (if it's too cold), or a batting cage.
- Limit the length of the tape to no more than 10 minutes.
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Use a tripod at all times so the camera doesn't shake.
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Convert the finished tape to VHS format. Use a sticker to label the tape with your name, graduation year, position, address, and phone number. Make sure to write the title - i.e. "Jeff Wilson's highlight tape (2011 Grad)"
Introduction
Place the camera on a tripod a few feet away and introduce yourself. Speak clearly and confidently. Include:
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Full name and date of birth
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School name and your coach's name
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City and state where you live
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Height & weight
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Position(s)
|
SHOT |
PITCH TYPE | SITUATION |
| 1-5 | Fastball | Wind-up |
| 6 | Fastball | Stretch |
| 7 | Change-up | Wind-up |
| 8 | Change-up | Stretch |
| 9 | Curve | Wind-up |
| 10 | Curve | Stretch |
| 11 | Any other | Wind-up |
| 12 | Any other | Stretch |
| 13 | Fastball | Wind-up |
| 14 | Fastball | Wind-up |
| 15 | Fastball | Stretch |
| 16 | Change-up | Wind-up |
| 17 | Change-up | Stretch |
| 18 | Curve | Wind-up |
| 19 | Curve | Stretch |
| 20 | Any other | Wind-up |
| 21 | Any other | Stretch |
OUTFIELDERS -- Stand in right field, about 280 feet field from the plate.
Shots 1-4: Place the camera at the 2B's position. The cameraman should get a close up of you so we can evaluate your footwork, positioning, and mechanics. Keep the camera focused on you - do not let the cameraman follow the flight of the ball. Make sure to throw a line-drive, one-hopper to 3B. You can use a cut-off man in the infield for a target only, but do not let him cut the ball. Shots 5-10: Place the camera behind the third base line and then behind the catcher so the coach can evaluate the flight of the ball. SHOT MIDDLE INFIELDERS & THIRD BASEMEN -- Stand at deep SS Shots 1-6: Place the camera between the mound and home plate. Have the cameraman focus on you and capture all your movements in the frame and the last 15 feet or so of the ball before it reaches you. We want to evaluate your hands, footwork, the way you circle the ball, and your throwing mechanics. Shots 7-12: Place the camera behind 1B so the coach can see the flight of the ball. SHOT FUNGO TYPE FIRST BASEMEN -- Stand at deep 1B so you'll have a long throw across the diamond. Shots 1-5: Place the camera between the mound and home plate. Have the cameraman focus on you and capture all your movements in the frame and the last 15 feet or so of the ball before it reaches you. The coach wants to evaluate your hands, footwork, and your throwing mechanics. Shots 6-10: Place the camera behind 3B. Have the cameraman focus on you and the flight of the ball. We want to evaluate your footwork, arm strength and throwing accuracy. SHOT FUNGO TYPE
FUNGO TYPE
THROW TO
1
Pop Fly
3B
2
Ground Ball
3B
3
Pop Fly
Home
4
Ground Ball
Home
5
Pop Fly
3B
6
Ground Ball
3B
7
Ground Ball
3B
8
Pop Fly
Home
9
Ground Ball
Home
10
Ground Ball
Home
THROW TO
1
Grounder directly at you
1B
2
Grounder directly at you
1B
3
Grounder to your left
1B
4
Grounder to your right
1B
5
Slow grounder you charge
1B
6
Grounder directly at you
2B
7
Grounder directly at you
1B
8
Grounder directly at you
1B
9
Grounder to your left
1B
10
Grounder to your right
1B
11
Slow grounder you charge
1B
12
Grounder to 2B to you
1B
THROW TO
1
Grounder directly at you
3B
2
Grounder directly at you
3B
3
Grounder to your left
3B
4
Grounder to your right
3B
5
Slow grounder you charge
3B
6
Grounder directly at you
3B
7
Grounder directly at you
3B
8
Grounder to your left
3B
9
Grounder to your right
3B
10
Slow grounder you charge
3B





